KATE NV - SERGEANT

"Russian avant-pop artist Kate NV brings her kaleidoscopic world to life"

Kate NV is a solo project of Kate Shilonosova, Moscow-based producer, songstress, composer, designer, co-author and front girl of moscow new wave-post punk band “ГШ”. RBMA 2014 and Onebeat 2015 alumni, Moscow scratch orchestra member. “Music knows what she wants,” says Moscow-based artist, Kate NV. On Room for the Moon, the lyrical follow up to the buoyant minimalism of 2018’s дляFOR, NV follows this muse in fluid expression, harmonizing her lunar lullabies with a starry compositional choreography. NV says, “I always let music express herself without pressure, and with or without voice.”NV began sketching the music of Moon sometime before дляFOR, but the album did not take its full shape until the artist entered a new physiological phase. Aftertrying to make a Buchla synthesizer mirror human imperfections, she was compelled to look past the patch bay and reconnect with her own voice. “I spent almost a year and half sitting, at best, or bending over the table. In the end it, my body rebelled, on some kind of physical level.” No longer concerned with demonstrating a traditional composer’s craft of дляFOR, the return to vocal forms first found on her debut album Binasu was liberating and (gasp!) gleeful.

On Moon, NV’s vocals contour through screens of tulle or jars of glitter, the entire collection composed and produced by NV at home and studio spaces throughout Moscow. “I finished this record during the loneliest period of my life,” confides NV,with hints of melancholy, or fabled life lessons, adding even more depth to songs of cheery disposition. Her songs, sung in Russian, French and English, each carry unique features, like ten personas or ten scenes in a play where each character has its own keynote. Room for the Moon was conjured from unlived memories of 70s and 80s Russian and Japanese pop music and film, a 20th century fairy tales uspended in time like a moon torn from a paper sky. NV is accompanied by long-time music collaborators on Moon: Jenya Gorbunovon bass guitar,Vladimir Luchanskiyon saxophone, and Quinn Oultonon both instruments. Musician Nami Sato’s gentle words lift and lilt over synth for one piece, too. These friendly contributions are in service of NV’s singular vision; the album is personal and particular in its construction. Filled with warm and sweet memories of her own invention, NV says, “these songs are now my closest friends.”Moon could be made from chiffon ripples, night sky transmissions and long shadows. With each song we enter another chamber of illusion, NV’s vocals tiptoe through onetrack, toy with riddles on another and try to save time in a polka-dotted pocket. On “Plans,” NV, through some sort of sorcery, created a sax solo using only samples from the Found Sound Nation’s “Broken Orchestra” sample pack. A laugh slips from the sheets of music in “Ça Commence Par” like a misplaced photo. Mallet and marimba converse over mushroom tea on “Du Na.” “Tea” herself borrows melody fromTchaikovsky’s Piano Concerto No. 1, and “Telefon” teases us that “there’s nowhere to hide from the song.” But that’s ok, we’re all invited to the party.

Moon’s cast might make friends with other electric, eclectic, and visionary works of Lizzy Mercier Descloux, Akiko Yano, and Ann Steel. You know the feeling of instant affinity? It’s how you may respond to Room for the Moon. You’ll recognize something strangely familiar and inexplicably attractive, an afterglow of times spent in happy company, imagined or otherwise.

SERGEANT

Dating kraut and some 00s stuff, Sergeant’s music is a postmodern cry into the abyss of pop. The Brussels-based project, best known for its ever-changing live performances, announced a debut album to be released on dj Nosedrip's imprint "STROOM". Always seeking new live formulas, they will bring their music for the first time with a solo set.