2 Times Nothing - Dida & Quinten - Arnaud Eubelen - Miel

2 TIMES NOTHING (ALBUM RELEASE)

With a combination of youthful energy and seasoned skill, 2 Times Nothing invites listeners on a journey through exploratory musical landscapes, proving that their name is a playful contradiction to the depth and complexity of their music. The band’s journey began with a deep dive into the realms of sound, texture, and color, blending both acoustic and electronic instruments in their compositions.

Their fascination with unconventional time signatures and genre-blending – from wild jazz and rock to almost free improvised and electronic music has led them to develop a truly unique sound. Their live performances are a testament to their chemistry and dedication, as they continue to grow and evolve. On this special evening, the band will unveil their long awaited debut album ‘LADA’, for which they invited public in the studio to capture the spontaneity and raw energy of their music

DIDA & QUINTEN (LIVE)

The Distinguished Gentleman's Ride: Inconsiderate seen our prostates were never centralized in the first place… They say hope is for the battered. We say what is heard! At least...

ARNAUD EUBELEN (SCENOGRAPHY)

Arnaud Eubelen - Liege, Belgium, 1991 - works in the no man's land between sculpture and design, questioning our assumptions that lead from concepts to objects by re-appropriating and re-evaluating the various industrial building blocks of our world, shifting their use and context to highlight their intrinsic qualities and values. Rewiring and rewriting the urban context around us through different layers of materials with their own history and life, he considers the streets of the artificial world we live in as hardware stores or a "material library" as he calls it. By making supposedly everyday objects with his distinct approach, deliberately not respecting established codes regarding materials and their intended use, his practice leads to a body of work belonging to the world of design.

However, through the sculptural action of decomposing and reassembling salvaged materials, fragments, waste, rubble, and scraps, he brings to light the chaotic energy, the entropy, of the urban mutations that surround us. These objects keep the potentiality of a use, but first and foremost an ephemeral state, a present time simply frozen by a few nuts, before its future dissolution.